New album for 2012

What perfect time to clear some cobwebs on this old blog than by announcing a new album?

What?!? That's right! I've been working on this one for a while, and now present you with:



Mainly a crossbreed of drum & bass, dubstep and breabeat with bits of rock, jazz, metal and other things showing up now and then.
Get your bass speakers on max!
With the exclusive performance of MC T-Tym.

Black Metal v.s. Death Metal

When telling apart two closely-related genres of extreme music, sometimes, it's not the best thing to ask someone who is a hardcore fan. To illustrate the kind of confusing answers I got when asking the difference between black metal and death metal, I'll use the answer a close friend of mine gave me:

''Death metal has more of a 'black' influence in it, while Black metal has more of a 'death' influence''.

Uh-uh... I remember we had a fight, although not because of arguing, but because I found it so ridiculous anybody would seriously make such silly labels, and make one label the definition of the other one. If you don't know much about rock music (let alone heavy metal), it's quite likely that they will all sound the same to you. It's like me, I'm not really familiar with all the different kinds of, say, East European folk music styles, so maybe they'd all sound the same to me. Or to put it in more familiar terms to 'westerners', particularly people over 30, all electronic music (so labelled 'techno') sounds the same. (''How dare they call drum & bass something so dirty as techno or electronica!'' might be a d&b fan's reaction).

To be honest, while I have been listening to heavy metal (and playing it) since around I was 15 or maybe even before, I still can't tell black and death apart when someone plays a bunch of tracks of both genres. At face value, the word 'black' is just a metaphor for 'death' anyway. And perhaps I didn't (and still don't) care enough to really do. Oh, and I preferred progressive and experimental kinds of metal to black/death anyway.

If you read this far, chances are you probably like the music at least a teeny weeny bit. Or hate it bigtime and you're up for some trollin'. If you listen only to what's top 40, do not, I repeat, DO NOT play the following video. Not only will you find it all terrible, you will not be able to tell the difference between death metal and black metal... OK, after listening to it I too was left clueless.



So, you're not crying, your ears are not bleeding and you did not have a breakdown. Congrats. Of course I'm blowing it out of proportion anyhow. It WILL be like sandpaper to the ears of some people 'cause maybe that's the point.

After seeing several people's definitions and stuff, I think maybe I'd say that the line is blurry as hell, but when both kinds of music were born, they were a lot more different. Nowadays a lot more mixing of styles occurs anyway. So, here's the idiot's guide to sounding like you know what is the difference between Black Metal and Death Metal:

The Idiot's Guide To Sounding Like You Know What the Difference is Between Black Metal and Death Metal

Themes:
It seems to be widely accepted that a large part of what it is to be 'black metal' has to do with being anti-Christian and/or Satanic/Pagan/whatever (note the use of and/or). Black Metal is more of an ideology, just like some ridiculous punk sub-genres out there, such as Queercore, Riot Grrrl, Oi!, Nazi Punk, Christian-democrat-pro-life-Punkcore, etc.... Nihilism, depression and misanthropy also seem to be staple themes in Black Metal. Also, confusingly, they talk about death too. Huh.
Death metal, on the other hand, tends to focus more on negative emotions, sorrow, frustration, social alienation, but in a much more serious and dark way than the blues. Consequently, stuff like necrophilia, torture, rape and the suffering of the human soul are frequent subjects. Not saying that many Death Metal lyricists have ACTUALLY suffered in such ways... Also, like its name, death metal focuses on mortality and death. That's right, Death Metal is pretty much headbanging to a Memento Mori. What's more confusing is that while Death Metal frequently uses slasher movie-style violence in it's lyrics, it can also be about Satanism, anti-religious things and philosophy, just like Black Metal. Huh.

Musical style:
Alright, from the video above you might have thought: ''Yo, I can't tell them apart''. And yea, I guess you could say it doesn't really make a difference on this wide vast Earth. Unless you're a fan... Here's some interesting imagery used by a random internet user to describe what each 'sounds like':

''Death metal sounds like the reaper comming to war
Black metal sounds like a gothic castle filled with blood and the howls of suffering souls.''

Okay, that's nice, but if you're into the more musicological take on the distinction, here's the more or less controversial definition I formed after reading several people talk about it:

The vocals in Death Metal, ''death grunts'' or ''growls'', are usually deep and aggressive. I can't make out a word they say most of the time. Neither can I for Black Metal, which uses high-pitched shrieks, screams and snarls which seem to imitate, like in the clever imagery above, souls in anguish and that kind of crap. Could someone maybe pick a pitch in the middle?

Song structure and melodic/harmonic content seem to actually define both kinds of music a lot more than theme. In both kinds of music, traditional song structure is eschewed, yielding some unconventional things. More clearly said, Death Metal favours weirdass song structures with frequent tempo and key changes, while Black Metal favours unconventional songs where the verse-chorus distinction is not very clearly emphasised and long and repetitive stuff goes on. Y'know, if you had some sort of pagan ritual, you'd want to have some repetitive, jarring music that would put you in trance (or coma?). Thinking about it, Black Metal almost seems to be like funeral march music, with a languishing, militaristic and sombre feel, while Death Metal focuses more on the violence that came before said death, hence, it's more like a battlefield.

Death Metal seems to care more about the instruments and skills than Black Metal, which has more textural and atmospheric sensibilities. It's all about that dark nasty feel that gives ya chills, bro. Black Metal tends to be more melodic than Death Metal as a consequence. They revel in dark and ominous chord progressions and the use of the tritone, more aptly, Diabolus in Musica. All hail dissonance as a stylistic choice! But wait, Death Metal likes dissonance too sometimes. More like free jazz in the sense that it can be atonal (not follow any particular key or scale), or championing the use of chromatic runs. However these differences are trivial. Now there's so much Melodic Death Metal and Blackened Death Metal that these things become meaningless.

Black Metal guitars are pretty standard, just very fuzzy and lo-fi it seems. Low guitar tunings are very rare, strangely for a kind of music that wants to sound ominous. Guitars are often heavily downtuned in Death Metal, all the way down, so that the E string resonates a thick, heavy, chugging C (some bands even go as far as tuning all the way to B). Classic example of a riff where only the deep C power chord is used is Children of Bodom's 'In your face': (note that this is Melodic Death Metal, obviously, it emphasizes melodies unlike noted above)



Also, in Black Metal, technicality is frowned upon; guitarists seem to find guitar solos pointless, so go hoping you'll find many in their music. Death Metal, however, like it's grand-daddy Thrash Effin' Metal, is obsessed with solos. As I said above, it's the kind of music that emphasises prolific musicianship, you must have the chops for this kind of music (not that you can be a crappy Black Metal guitarist and get far).

Bass guitar as an aspect of heavy metal tends to be quite limited. In Black Metal, it is practically nonexistent; it plays riffs identical to the rhythm guitars most of the time and on top of that, it is buried so deep within the mix that it's inaudible. Death Metal features it a bit more, but I'm not quite sure the differences are significant... anyone know?

Other instruments such as keyboards are more prominent in Black Metal than in Death Metal (unless we include Melodic varieties where it's more common). These usually give the music an ambient feel, usually via some ethereal strings, haunting pads or whatever.

The final musicological comparison comes to the aesthetic of the music and its production in the studio; Death Metal doesn't seem to mind having polished, crisp recordings where every instrument stands out, while Black Metal is as lo-fi as you can get, most bands will at least once during their early years recorded everything in the drummer's basement, some get everything recorded into one track and don't edit it at all. This DIY aesthetic is very punk itself, it's all about getting it as raw as possible. More 'mainstream' bands like Dimmu Borgir who play Black Metal with symphonic elements in it have a higher production quality, and for that reason a few stuck-up hardcore fans of traditional Black Metal will claim they sold out and that they aren't real Black Metal. Who cares? The people who recorded stuff in their basements did it for their own pleasures anyway.

But wait! What about the drums, just as important in any kind of modern music? True, I almost forgot. Well, Death Metal drummers almost universally use a double bass pedal or will have two bass drums to create that rapid-fire pummelling kick rhythm. In addition to the double bass barrage, blastbeats are heard too. Yes, they take drums seriously. The thing here is that both Black Metal and Death Metal share a great deal in the percussion department. Any major differences, I'm not sure.

And yeah, for those not sure what a blastbeat sounds like, here's an example, the first two bars are more normal double-pedal rhythms, the third and fourth bars show the blastbeats, the repeating snare-hihat-kick beating:



I could keep going about the subject but methinks this is enough. If you want to listen to more music there's the video below, but I won't go into silly stuff such as why in Black Metal, silly costumes are more frequent, or who's blamed for church burnings (no finger pointing here), who's more often portrayed (with evidence or none) racist or anything. Black and Death bands take themselves way too seriously anyway.

Perhaps it's fascinating, dunno. I don't think it's healthy to dwell in negative crap all your life like there's nothing else left. As human beings, I think it's essential that we do something to stimulate other people's thoughts, ignite imagination, instil a culture of love unto the coming generations and to strive for peace of mind and soul. This music, in the long history of mankind, is just a phase, a counter-wave to some other thing that happened before. Put into the perspective of the thousands and thousands of years of human history, it's all contrived, silly. My advice, just listen to these kinds of music for your auditory pleasure. Beyond that, move on. Strive for your full potential.



P.S.; I'm not saying that Black/Death musicians are negative, anti-religious, resented or a combination of any of them. I know, music since time immemorial has been an outlet- consider the slave's work chants, a way to lessen the burden of working under the hot sun picking cotton. But then, I find it funny, how many metal musicians that portray such suffering in their music have had it that rough? Not generalising though, the ones who did, you guys, deserve a round of applause if you made it through.

Rock Band Logos, Black Metal Band Logos

Me being interested in design (brand design, graphic design, creative stuff), I could post about the best company logos out there, though that would be a cliché (and Apple's logo would probably be on the top 5). Instead, here's an interesting facet of brand design; the design of logos that identify musical groups. Since they beat me to it, I'm not gonna reinvent the wheel here and show off the work of these two blogs.

The first one gives us a list of logos by some of the greatest rock bands out there. Did they have an influence on their career? Chances are that it's a big deal. Check the 10 Top Rock Band Logos, and their history, yo!







On the other hand, it seems that black metal acts strive for some way to be as unrecognizable as possible, disguised in a lame excuse of 'aesthetics of death'. See if you can figure out what's in each logo! Whee!

Dj Shackles . Crazy Dubmetalstep thingy

Dubstep is a new kind of thing to me, even though it's been around for like a decade now (as if I'd listen to music through the web when I was nine...), and I've been growing to like it a lot. I dunno, it can be harsh, heavy, it can make you wanna get up and shake your goddamn booty or get you into a trance. And still I don't really know how to describe the music since it all sounds so different... isn't that great? Not like other kinds of music (gangsta rap, reggaeton, metalcore and trance, you all heard me).

So! Dj Shackles (what a name) makes some grindingly heavy dubstep that occasionally sounds more like heavy metal, really, really dancy heavy metal. Anyway listen for yourself this oddity:

SHACKLES - WOLVES AMONG SHEEP by SHACKLES

The mixture is cool, the drums alternate between realistic heavy metal drumwork and more dubstep-ish sounds. The guitars sound a little glitchy for my taste.

Here it almost feels like it could lead nicely into a DnB track but he artfully brings all the weird crap that makes dubstep dubstep. Interesting indeed:

SHACKLES - DARK HARMONIX by SHACKLES

Polyrhytms in pop music

I tend to avoid the music in the radio; it's derivative ballads and reggaeton, overproduced and uninspired music of all sorts, dance-rock-rap, all the things under the 'pop' umbrella term. Sure, there are amazing songs now and then which are pop and not all pop is inherently bad, but most is inherently... stupid.

It's probably just the fault of the people who listen to things and vote. ANYWAY, sometimes interesting things do get through.

I'm not a J-Pop fan at all. But this to me seemed awesome. You know why? No, it's not because prettygirlsstupidcostumeseverythingprettyprettycutekawaiiblargh, but because of that genius bridge in the song that sounds like NOTHING ANYWHERE ON ANY POP CHART AROUND THE WORLD.

Note: it starts at around 1:37.



I guess that the 'Poririzumu' (Polyrhythm) bridge is appropriate, something about love being like two different rhythms playing at the same time. Moving on from that, Marty Friedman approves this song. Therefore, he made a cover with the awesomeness only he can give:



I think I would have liked it more if that crazy part had been used more than just in the bridge of the song and in the end. Or make the end as beat-heavy as the first bridge. Oh well, it's a start. I didn't like how lifeless the voices sounded. But hey, most pop music tends to be lifeless!

Country Metal?

One makes your head explode (as in Mars Attacks!) while the other makes you headbang (as in Metallica). Okay, not all country is bad, but there's awful country out there. The same can be said of heavy metal (although I like metal a lot more).

Even though both styles have great affinity for some things and after all, share many of the same roots, I've heard relatively little mingling between them. Let's face it; if a band leads the way in an imaginary 'Country Metal' genre, or 'Countrycore' (god I hate the -core suffix), chances are that it's forever labelled as 'cheesy', 'godawful', or a shame in the name of metal. However, I think there have been a few instances that I think could lead to some kind of interesting cool music based on both. Coming from a mix of heavy metal and southern rock, Black Label Society had the damn catchy "House of Doom" track, for instance:


From "Hangover Music, Vol VI".

Okay, it isn't country, but southern rock is well, a fusion of rock & roll, blues and country music! I think that it may be good as a platform to further mingling between country and heavy metal.

Other ways would be through punk music and that very very bouncy hill-billy stuff. Here, for instance, punk band Guttermouth created something really unique; that "barnyard" sort of rhythm fits punk and some kinds of country/folk excellently. Note the awesome violin and banjo interplay in the background and their solos:


I'm Destroying the World from "Covered in Ants".

Kid Rock seamlessly mixed southern rock, hip hop and not-quite-metal in "Cowboy", so figure, you can remove the 'breakbeat' influence and turn the metal one up a notch. It's not a bad song, considering that he managed to mix 3 things so well (when many nu-metal bands suck and they don't even mix country):


Song from "Devil Without a Cause".

Rebel Meets Rebel, with their eponymous track, to me seems to be real Heavy Country (or whatever), however, I'm not quite sure about that fiddle lead before the verses... they are annoying. They could sound a lot better. However, the vocals here, specially when they harmonise bring out tons of potential. Hmm, I think it's okay. Here we go:


From Rebel Meets Rebel album.

It gets better towards the end with that fiddle breakdown solo double-timey part.
"Coyboys Do More Dope" by Rebel Meets Rebel:



Quite like the piano there...

Now, the guitar-shredding angle of music is a good way to immerse into the world of country music. It may get a bit tiring after a while (like most country), but it's briefly the coolest thing in the universe:



We also have another band a bit like Rebel Meets Rebel but maybe a bit more palatable to some; Haf Bitten Moon:



Finally, I'll leave y'all with these two funnies. Meh...